The cubism was one 20th movement of art of century which revolutionized painting and the sculpture European, and the relative movements inspired in music and literature. It developed as shorts but a strongly significant movement of art between approximately 1907 and 1914 in France. In the drawing-models cubists, the objects high are broken, analyzed, and gathered in a withdrawn form - instead of depicting objects from a point of view, the artist depicts the subject of a multitude from point of view to represent the subject in a greater context. Often surfaces intersect with the apparently random angles not presenting any logical direction of depth. The basic planes and of object interpenetrate another to create ambiguous not very major space characteristic of cubism.
           
 It is clear that the roots of the cubism must be found in the two tendencies distinct from the posterior work of Paul Cézanne: to firstly break the surface painted in small sectors with several facets of painting, underlining of this fact the plural point of view given by the binocular vision, and secondly its interest for the simplification of the normal forms in the platonic cylinders, spheres, pyramids and cubes.
           
 the cubists further went than Cézanne; they represented all surfaces of the objects represented on a simple aircraft of image as if the objects had had all their obvious faces at the same time, on the same aircraft. This new kind of description revolutionised the way in which objects could be visualized in painting and art and opened the possibility of a new manner of looking at reality.
           
 Plus the notable one of the small group of the cubism of active participants were the Spaniards Juan Gris, and Pablo Picasso, accompanied by the French artist George Braque, then residents of Montmartre, Paris. These artists were the principal innovators of the movement. After meeting in 1907 Direct and Picasso started in particular to work with the development of the cubism in 1908 and functioned narrowly together until the demonstration of First World War in 1914.
           
 the French critic Louis Vauxcelles of art employed the first time the term “cubism”, or “the cubic odd ones”, in 1908 after having seen an image by Braque. It described it as “a completion of small cubes”, after which the limit quickly gained the broad use although the two creators do not have it at the adopted beginning.
           
 the cubism is taken per many artists in Montparnasse and supported by Daniel-Henry Kahnweiler of merchant of art, becoming popular so much quickly that by 1911 critical “to a school cubist” artists referred. However, several of the artists who thought of themselves while the cubists went in the directions completely different from Directs and of Picasso. The group of Puteaux was a significant ramification of the movement cubist, and artists included like Guillaume Apollinaire, Robert Delaunay, Marcel Duchamp, his brother Jacques Villon, and Fernand Leger.
           
 In 1913 the United States was exposed to the cubism and with modern European art when Jacques Villon showed seven important and large the drypoints with the famous arsenal show in New York City. Direct and Picasso themselves passed by several distinct phases before 1920, and some of this work had been seen in New York before the exposure of arsenal, with the gallery from “291” of Alfred Stieglitz.
           
 the Czech artists who carried out the significance of time of the cubism of Picasso and of Directs tried to extract its components for their own work in all the branches from the artistic creativity - particularly to paint and structures. This developed in claimed Czech cubism which was a movement of art of avant-garde of the Czech partisans of the cubism credits most of the time in Prague of 1910 to 1914.